http://www.portraitsincreativity.com/notebook daily 0.75 2014-07-15 https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405434204194-7LWQMTO78M5CXQSXZG2Q/paint.jpg Notebook http://www.portraitsincreativity.com/notebook/2014/7/14/photo-gentl-hyers monthly 0.5 2014-07-15 http://www.portraitsincreativity.com/notebook/2014/7/12/the-wall monthly 0.5 2014-07-15 https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405204798070-63BBU4Q8H3SMTGWLG58Q/IMG_0172.JPG Notebook - The Great Wall of Alabama Like most folk art, Tom’s construction is rooted in history and shaped by cultural memory—although it was paradoxically created in total isolation. Kelly Wacker, a university art history professor who specializes in research about land art, heard about The Wall seven years ago and has since become a friend of Tom’s. She feels that Te-lah-ney’s Wall has aspects of both traditions: outsider art and environmental art. “Outsider art is created by someone who is compelled to execute a personal vision,” she says. “Tom is telling a story in a physical way and creating a monument to a place of memory.” https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405436289346-V7AXR8HY0DA4JZZ8U7YY/IMG_0187.JPG Notebook - The Great Wall of Alabama “At one time the Indians of the Southeast had the healing and practical knowledge of over 1,000 plants,” says Jason Baird Jackson, Director of the Mathers Museum of World Cultures at Indiana University. Healers, like Te-lah-ney, were selected from the tribe for their skill at diagnosing ailments, recognizing and processing the plants, and singing the 1,000 songs that made the plants active as medicines. https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405204811980-MSII21G9228ONPGW0GH9/IMG_0219.JPG Notebook - The Great Wall of Alabama Hendrix’s work cannot be hung on a wall; it requires a pilgrimage. The journey is part of the experience. Many indigenous people have visited the Wichapi Wall—wichapi is Navaho for “like the stars”—and made contributions. Eighteen years ago a Lakota man visited Hendrix and suggested he add a stone circle, which the man called Ishatae or Spiritual Place. He drew the outline on a piece of paper specifying its dimensions and position, east to west to take advantage of the changing seasons. It has four layers of stone, each of a different design, to represent the circle of life: birth, life, death and re-birth. https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405204604691-FWFFCHY0G9ATVEJRX33L/image-asset.jpeg Notebook - The Great Wall of Alabama Tom’s great-great grandmother, Te-lah-ney was born in the Tennessee Valley in the early 1800s. The Yuchi believed that a woman lived in the Tennessee River and sang to them. The Wall meanders just as Te-lah-ney’s journey did and there are many surprises. I stopped first at a ten-foot section of the wall built with river rocks that look like faces. The “eyes” that look out at you are natural holes worn in soft limestone from centuries of bumping along at the edge of the Tennessee River. I sat on the stone bench opposite and gazed at the “faces” which were initially haunting but after a few minutes I felt curiously happy. The Lakota people who modified this section of the Wall told Tom that all bad things come out of the west, so they positioned the rock faces facing west, saying they would protect Te-lah-ney’s Wall. https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405204788767-904NFNUUWVS4M8JMX3AQ/IMG_2825B%3AW.jpg Notebook - The Great Wall of Alabama When Tom conceived of his memorial to his great-great-grandmother Te-lah-nay 25 years ago, he did not start with sketches or plans. He began by picking rocks that local farmers, clearing their land of hedgerows, had dumped by the side of the road. For 28 years has kept careful track of the truckloads, and estimates that the wall consists of 9 million pounds of stone. Each stone has been touched three times: once when he selects them and places them in his pick up truck, once at home when he unloads them into his wheelbarrow, and once when he positions each rock in The Wall. By his count, he has lifted 27 million pounds of stones, gone through three pick-up trucks, 22 wheelbarrows, and 3,900 pairs of gloves. He believes he must hold the world record for mashed fingers. https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405204773840-R3ZBZ3J40PMC7QKFJRZX/IMG_0251.JPG Notebook - The Great Wall of Alabama I heard about The Wall from my friends Rosanne Cash, the singer songwriter and oracle of the south, and Natalie Chanin, the clothing designer whose intricately stitched and embroidered clothes are made by hand by local quilters under the name Albama Chanin. Rosanne and I introduced Maira Kalman, the author illustrator and cultural muse, to Natalie at tea in New York. The four of us resolved to meet in Florence, learn to sew with Natalie and visit The Wall. Rosanne had been to The Wall on one of her past visits to the Muscle Shoals recording studios where the famous sound of the South was born. Natalie said that “The Wall was a mysterious, eccentric and some say spiritual place” but she would not tell me more. Rosanne’s latest album, The River and The Thread, mentions her experience at The Wall in the song, “A Feather is Not a Bird.” She ends the song with this verse: “I am goin down to Florence, now I got my pretty dress, I’m gonna let the magic wall put the voices in my head.“ Rosanne told me that “when I first went to The Wall I sat in the prayer circle, expecting to take the time to concentrate and seek out the spirits that I had hear about, but instead what ever power was there, had already found me. “ https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405436255184-RQWFBB65P3EEVV2E6JIX/IMG_0210.JPG Notebook - The Great Wall of Alabama Tom Hendrix opens his arms wide and faces east. “This section of the Wall represents my great-great-grandmother’s walk from her home on the Singing River to the Indian Territories in what is present day Muskogee, Oklahoma.” Her name was Tel-ah-ney and she was about 17 when she and her sister Whana-le were herded into a stockade and metal tags were put around their necks. They left Alabama in the late summer of 1836 or 1837 and walked through the fall months arriving in winter. On the grueling walk to Oklahoma, a young soldier, Lieutenant Bates, noticed the young girls and realized that Tel-ah-ney was a healer. He watched over them, protected them and became their friend. Tom has dedicated a section of the Wall to Lieutenant Bates where the rocks curve gently around a single tree and the pattern changes to thin slivers of rock that add a fragility to the massive memorial. https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405204817086-1TNZG4Y1O5CWGPMSLSU9/IMG_0226.JPG Notebook - The Great Wall of Alabama It is best to walk alone when you are at The Wall so you can feel the light and approach each twist and turn with a sense of mystery. Tom’s passion and spirit has transformed an ephemeral journey into a living memory. Sunlight on stones worn over time have an innate life that the human spirit responds to. As we move toward the path to make our own discoveries, Hendrix says, “I have only one request: look with your third eye,” and he pats his heart. http://www.portraitsincreativity.com/notebook/2014/7/6/post-title monthly 0.5 2014-07-15 https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405204218190-AMDYKDIE19KAQ3Y7DW9N/IMG_0518.JPG Notebook - Welcoming Inn The Farm Shop is in an old dairy building and sells local hand made food products such as Organic Lavender Raspberry Jam, lavender sugar and salts, honey and a variety of teas. The shop also sells the culinary lavender that they grow at Los Poblanos; I have since used it to make poached pears, lavender applesauce and lavender biscotti. The Los Poblanos kitchen makes the unforgettable lavender caramels along with chocolate truffles for all tastes from savory red and green chili to salted caramel. Local artisans make unique kitchen and garden products. The intensely fragrant Los Poblanos lavender products are all made locally in small batches except for the famous salve, which is still made in-house according to Penny’s original recipe, created on her home stove to serve as amenities for her fledgling bed and breakfast. The products are all available on line for those of us who get hooked while visiting the Inn. The Inn and shop offer events and workshops regularly to bring the community together.   https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405435134995-Y9J6DD1WK6YDN867QC64/IMG_0442.JPG Notebook - Welcoming Inn The desert at the Los Poblanos barbeque was delicious: blueberry and peach pie, berry cobbler and lavender sugar cookies. https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405434926501-4MYE6K6BX24NT8Z7IOZ8/IMG_0516.JPG Notebook - Welcoming Inn Los Poblanos was inhabited by the Anasazi or ancient Pueblo Indians in the 14th century. The land was part of a land grant from the Spanish Crown 1716. In the 1930’s Ruth and Albert Simms named their ranch Los Poblanos, of the People, where they farmed alfalfa, sugar beets, oats and corn. Home to Creamland Dairies, their 400 head of prize winning Holstein and Gurnsey cows were famed for their butterfat production, and provided much of the milk to the Albuquerque area. The Rembe family uses the old hay barn to dry the lavender that they use for their Los Poblanos spa products. https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405204285283-AMKG7QH38086SQB1WAGT/IMG_8827.JPG Notebook - Welcoming Inn Armin Rembe started keeping bees about ten years ago, after he planted the first lavender fields. Armin says that the hives have a healthy yield because the farm is organic and there are no pesticides used on the property. https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405204200374-CFIWNI9W2MHQW4B37J78/IMG_0901.JPG Notebook - Welcoming Inn John Gaw Meen designed La Quinta, melding the Baux Arts architectural tradition with pueblo inspired architecture. This combination of classical architecture and Spanish colonial architecture became know as The Santa Fe Style. The color palette is also typical of the Santa Fe style with white stucco, and moldings, brick cornices, and terra cotta glazed tile floors. La Quinta is a one story building with high ceilings designed in an H-plan around the first swimming pool built in the area. Many historians have called La Quinta one of the great South Western architectural treasures. John Gaw Meem designed the tin chandeliers and sconces throughout La Quinta and commissioned local New Mexican craftsmen to carved the hand hewn beams and tinsmiths to create each unique light fixture. https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405204144855-3V6F29K8QOXJKEUBMYAW/IMG_7709.JPG Notebook - Welcoming Inn An allee of Cottonwood and Elm trees form the formal entrance to Los Poblanos Historic Inn and Organic Farm. They were planted in the 1930’s when Ruth Hanna Mc Cormick and fellow senator Albert Simms hired architect John Gaw Meem to rebuild the farmhouse called Los Poblanos and design a new community building called La Quinta. https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405204158531-ODBYQX6WTLBBBJWUUS9Y/IMG_7897.JPG Notebook - Welcoming Inn The entrance to the Inn is in the original 1930’s ranch designed by John Gaw Meem where the Armin and Penny Rembe raised their children. The Spanish style courtyard has an eight-pointed star fountain made of colorful Spanish tile and comfortable places to sit with an outdoor fireplace and planting beads with seasonal flowers roses and fragrant vines. Large hand carved doors open out onto a view of the Sandia Mountain range. https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405204289185-MFLP4MK9C19IZ9X8YOPC/IMG_0490.JPG Notebook - Welcoming Inn A barbeque party is set up on the lawn with a simple table setting. Chef Jonathan Perno is originally from New Mexico. He manages the food for the Inn which includes a sumptuous breakfast every day, dinner four nights a week at the Inn restaurant, la Merinda and all of the events at La Quinta. Jonathan chooses what to grow in the organic vegetable garden, ordering the seeds for what he is interested in serving during the year and he feels that involvement in agriculture makes him a better cook. http://www.portraitsincreativity.com/home daily 1.0 2025-07-15 https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1586286695456-OMVUQWDMS5RTA0PYT4QC/GoldRust_LinkedImage.png Home https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1572983362398-932VQP18BWR2B95WC65E/AAR+video+still.jpg Home https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/cd3a7f53-4ac2-493d-bd3b-e6d56968e8c6/Mixing+Colors.png Home - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405381831105-RVB8TQ11AAJDLJGPR5EC/maira-2-shot.png Home 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https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405379707185-8MEIHPPSR85OKOCZISJT/NatalieChanin.jpg Rosanne Cash http://www.portraitsincreativity.com/maira-kalman daily 0.75 2015-02-11 https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405379702350-5MZR3XDILHOAB9HY2PL3/Screen+Shot+2014-04-24+at+2.04.04+PM.jpg Maira Kalman https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405379707185-8MEIHPPSR85OKOCZISJT/NatalieChanin.jpg Maira Kalman http://www.portraitsincreativity.com/gabriella-kiss daily 0.75 2014-07-15 https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405379078132-4013YTV8WZ9N8721G7WJ/NatalieChanin.jpg Gabriella Kiss https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405379085844-LDXYM08D1HE8E2Z3CBMN/Screen+Shot+2014-04-24+at+2.09.52+PM.png Gabriella Kiss http://www.portraitsincreativity.com/sheila-berger daily 0.75 2014-07-15 https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405379702350-5MZR3XDILHOAB9HY2PL3/Screen+Shot+2014-04-24+at+2.04.04+PM.jpg Sheila Berger https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405379707185-8MEIHPPSR85OKOCZISJT/NatalieChanin.jpg Sheila Berger http://www.portraitsincreativity.com/alabama-chanin daily 0.75 2014-07-15 https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405379517622-777AIOXZQC6WP9S7XOHK/image-asset.jpeg Alabama Chanin https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1405379543234-RXE7MMVMTF8IXY5JYGX7/Screen+Shot+2014-04-24+at+2.09.52+PM.png Alabama Chanin http://www.portraitsincreativity.com/maira-kalman-smithsonian daily 0.75 2015-04-02 https://images.squarespace-cdn.com/content/v1/53b8b1cde4b0fc72367b3b0c/1428009976645-77SF6RHTCPE95JZ96X0P/image-asset.jpeg Maira Kalman: My Favorite Things 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